UTTER... UTTER.... UTTER () () ()
and... and... and...
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no no knotts nannette
walking walking towards
to not smile
proof
EVIDEN -T + + +
here Gertrude Stein in conversing with the sound in her throat, while Genet dressed as Marie Antoinette and Antonin Artaud's scream attempt to distill the affect of the utterance in becoming in becoming in becoming its own event: as heard in sound accord by majena molly mandy mafe
You are thinking of a new type of score, non linear, fragmented and resonating And you are attempting to situate it in the ‘place’ where …‘much of our world resides within the nOh-linear parameter where there is a wondrous connection through disjointed, fragmentat[ion], ?stopping sonic lines.’ Pozzi Escot
tis ‘the page filled ( ) with write’
marked as abrupt pro-turbances—fissur’n
that…3
Decide’n the smoother convey all-alator…
All others pie up as separate/solid/and sold
(box) the undone to.
Why is the page belongin to milk tries-ess-es
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What is the terribly of the text?
She says it is a biography- it is perhaps a question
It is no it a story ...it is not a dictionary
A story is not a novel said Stein
She should be not white
And she should sing a lot
She has contours of milk
(Stein describing girl)
WRITING : Dust Duchamp- my tiny bride- two may
Gentlemen song you. My dust is the muffling of the ecstasy the grinder
Is still. Take the glass break it across
Your throat- my queen
she should not be shown the name of words the apex of their meaning the still will hold her better than less
no no knotts nannette
towards
walking walking towards
to not smile
proof
EVIDEN -T + + +